Archive for April, 2011

The Legal Battle


2011
04.18

Sukhdeep Singh talks to human rights lawyer Arvind Narrain about the ongoing case on Sec 377

With the advent of April, the day when the Supreme Court starts hearing the various petitions in the Sec 377 case is also fast approaching. Since the last hearing of the case, a group of 19 parents of LGBT children from different parts of the country and different spheres of life have come together and filed a petition before the Supreme Court saying that “Section 377 is a threat to family values, as it directly affects the rights of the Applicants to safeguard their families from illegal and arbitrary intrusion from the state authorities. Section 377 invades the sanctity of the family, home or correspondence and allows for unlawful attacks on the honour and reputation of both parents of LBGT persons as well as LGBT persons themselves.” Another petition has been filed by a group of thirteen mental health professions saying that “by forcing them to hide their sexuality, this law caused mental stress and anxiety to LGBT persons.” With this, the number of petitions in support of the Delhi High Court verdict decriminalizing homosexuality reaches six, as against thirteen petitions opposing the verdict.

Talking to Gaylaxy about the ongoing case, noted human rights lawyer Arvind Narrain explained that the mental health professionals will be making three primary arguments. “The mental health professionals will argue that scientifically, homosexuality is not a disorder. It is a part of human being, in which case, it makes no sense to criminalise something which is in-born trait of human being. The other argument that they are making is the notion of intimacy, that intimacy is very important for all human beings and when we criminalise certain kind of intimate acts, basically we are penalizing certain people and letting them know that they cannot participate in this part of the human experience. The third argument that they are making is that the law has an adverse mental health impact .”

On their part, the parents would be arguing that Sec 377 is a threat to the notion of family as every person is entitled to respect for one’s family life without letting other’s interfere in the family matter. However, Sec 377 empowers the State to interfere within the family affairs. Another argument that would be put forward is how, due to the criminalizing effect of the law there is shame and stigma around the matter due to which children have kept an important part of their life a secret, leading to a kind of separation in the family. “They will conclude by saying that Sec 377 is really a threat to the notion of the Indian family in terms of peaceful enjoyment of family life and the ability to build relationship, which is what family life should really be all about,” said Arvind.

Voices Against 377, another appellant in the case, shall raise the question of dignity, stating that discrimination is an issue of assault on dignity. “An assault on dignity is different from the issue of class, where there is an economic deprivation. Here it is really about humiliation, which is the core of the entire problem, and what the law sanctions is such a kind of daily humiliation,” added Mr. Narrain. The focus of Naz India Foundation will be the manner in which Sec 377 impedes the fight against HIV/AIDS-  a world epidemic now.

On the other hand, Arvind pointed out that the strongest argument in the armour of those opposing the 2nd July judgement would be of morality, which would be based on both religious and supposedly social view. So one line of argument could be that religious scripture prohibits homosexuality and thus it would be immoral for the law to go. “But no religion is uniformly homophobic, every religion has within it the spaces,” he pointed out. The other line of argument would be that morality is governed by the opinion of the majority and the law should reflect the public of the country. “The strongest argument would be the morality argument, because what is morality is a tough question to answer,” he opined.

On being asked whether the recent case in USA where courts held that religious groups have a right to protest against homosexuality could be used as an example to over-turn Delhi High Courts 2nd July ruling, Arvind said, “Religion in India has a place, but can the religion be embodied in the criminal law, which is applicable to all the citizens? Can the religious view of any community be embodied in the criminal law? It can’t because in India the core thing what we have is secularism, which is one of the basic pillars of Indian constitution which means that law cannot be allowed to embody the view of any one particular religion.” Delving deeper into the topic, he pointed out that this particular case in USA involved a religious group protesting outside a funeral shouting anti-gay slogans and USA being a strong contender of freedom of speech, the courts have held that though one might be offended, one might be hurt, they must protect the freedom of speech. “Contrary to this, in the Indian context what we are talking about is embodying the views of religion in the criminal law, which goes against the very principle of secularism in India,” he added.

As April 19th approaches, both the sides are getting ready with their arguments and would be filing their replies. But if you are hoping for a final verdict on that day, then you might just be getting a bit too impatient as the hearing in itself will take some time. “19th is when they (the Supreme Court bench) have asked to file a written submission, so all the parties will file in their written submission. Then they will begin hearing the matter, which means they will start hearing all the nineteen parties. So obviously they won’t be able to hear all the parties that day. So it could go on for some time,” told Arvind.

“I want people to live a life of dignity”


2011
04.17

Sukanya Mahata talks to Onir regarding his upcoming movie I AM

How is the promotion of I AM going?

Well, it is very hectic. We are going to so many places and meeting so many people. The movie is releasing on 29th April. It comprises of four short movies about four people, Omar, Afia, Abhimanyu and Megha. It touches subjects like sperm donation, child sexual abuse and homosexuality. The film has actors like Nandita Das, Juhi Chawla, Manisha Koirala, Sanjay Suri and Rahul Bose.

What was the inspiration behind the movie?

Rabindranath Tagore once wrote these immortal lines:

“Where the mind is without fear,

And the head is held high…

…Into that heaven of freedom, my father,

Let my country awake”

I have such a vision for my country. I want people to live a life of dignity and take decisions without fear. My protagonists share a common dream – a desire to regain their lives, to regain an identity which has been taken away from them; a desire to be accepted, as who they are; a desire to be heard.

How was the experience of having more than 400 people contribute and produce the movie?

The funding of this movie was actually an experiment. I did not want funding from traditional sources. Instead, I knew there are people who want to get involved with movies like I AM by giving their time or money. I wanted to see if it could be possible. So, I put up a Facebook post asking people to donate money or volunteer for the movie. Within one and a half months, we had all we needed. We made a movie where all our volunteers were co owners of the movie. There was active participation from all the people.

Of all the characters in I AM, which character do you relate to, the most?

I relate to two of my characters. First is Megha, a kashmiri pandit, who happens to return to her home after a long time and feels lost. There is an identity crisis as there is nothing she can relate to. Same is the story of my life. I used to live in Bhutan, but because of the political conditions prevailing at that time, I had to shift to India. It has been 18 years, and I have not seen my home since.
The second character I can relate to is Omar, who is gay. He has this deep sense of anguish at not being accepted and recognized. He does not have any rights and is discriminated against in his own country.

You have lived in Bhutan, India and Russia. How has each place influenced you?

It was a very crucial time in Russia’s history, when I was there. The economy was suffering from a huge depression. A very strong economy crumbled just like that. People were very poor and the disparity of income between the rich and the poor was unimaginably high. It was a time of crisis for the mighty eastern bloc. Democracy did not prove to be very good for Russia.

How was your recent visit to The London Asian Film festival and Sydney Film Festivals?

The 13th London Asian Film Festival proved to be really special for us. I AM won the best film award and Juhi won the best actress award for the movie. It was very heartening to see our movie being appreciated.

We toured New Zealand and all over Australia when we went in for the Sydney film festival. We got a great response for the screenings. A major milestone was the distributors agreeing to release the film on the same day as in India, which they usually don’t do for small movies.

Memories In March – A Review


2011
04.04

-Agnivo Niyogi

Another film starring Rituparno Ghosh. Another film scripted (and ghost directed?) by Ritu Da. The art of film making achieves more finesse with every film that Rituparno gifts us. With every offering, Ritu Da makes us sit back and ponder on some facets of life we happily ignore otherwise.

For people like me who stay away from home, when was the last time you talked to your Mom? When was the last time you asked the one you love, how (s)he is? Is there anything you wanted to share with someone close to you but held it back fearing adverse reactions? I believe we all live in a closet, an imaginary divide between us and the world. A world of our own where even our closest companions have no access.

Relationships dont have names. They cant be branded. Feelings define them, not names. Memories in march simply puts the message across. Our perceptions of civility, conservationism, morality fade out of the scene in the beautiful merging of emotions with life, realities with perceptions and our inherent biases are programmed for death.

Some films are made not to be watched but to be felt.  The pain of loss, the dilemma of acceptance, the turmoil of penance, the bonding of souls come to life with the haunting scores of Debojyoti Mishra. Tagore comes to life with “Eki Labonye Punyo Prano”, the bard’s influence is felt in the two brojbuli songs in the film.

People say Ritu da’s scripts are slow, boring. I never understand why they want moments to fly past when characters are trying to hold onto them. Time chooses to stand still when a mother enters the bedroom of her deceased son. Why should the frame not freeze?

Memories in March will make every mother emotional. It will make every son want to go and give his mother a tight hug and say, “I am there for you Mom”. I suddenly have this big urge to hug Maa and tell her I love someone and it’s a he. Who knows what happens even a minute later.

Memories in March with all humility reminds us that we live for moments. Memories make our life what it is. Love and only unselfish love can make us humane and conquer hearts beyond all hardships.

Having praised the film all along I could not find any justification for dubbing Sahana’s mother’s voice with Mithu Chakravorty. The scene where Ritu Da calls Deepti Naval melodramatic was instead a melodramatic one. And at times the editing seemed to kill the narrative. If these can be pardoned, the film like memories flow through your mind and are here to stay.

I would highly recommend the readers to live this experience. It can also be watched online for 2$ (www.dingora.comor www.databazaarmedia.com/roku). Watch it not because it talks of a relationship between two men, not because it is a film written by Rituparno Ghosh. Watch it because in the end, we exist because we live relationships.

My rating : 3.5/5 and must watch. (Agnivo Niyogi blogs at http://xpresso.in/)

[P.S. Like in the film, Raima Sen has an invisible presence in my review. She is as much part of the relationship between Sid and Ornob as Aarti is]